4月28日下午三点，神秘的自然——庞海追绘画作品展在北京金宝汇一楼共享艺术空间开幕。本次展览的学术主持，艺术家、南京艺术学院校董杨佴旻博士、《中国拍卖》杂志社常务副社长赵勇、著名诗人，金宝汇共享艺术空间创始人《中国拍卖》杂志社执行总编牧野，北京一号地国际艺术区联合创始人洪金桥、凯英信业董事长贾立东、中梁艺投创始人、拍卖师王冬，金宝汇共享艺术空间艺术总监、策展人张雪迪等参加活动并参观展览。

  展览共29件作品，有综合材料、版画和水墨画媒材等，作品内容丰富，力图出新，既回顾了庞海追大学期间的具象绘画，又对其研究生期间的转型探索做出阶段性总结。具象在于它呈现出真实的物象和绘画形式，以更好地传达绘画所表达的主题和情感；通过自己的创意和想象力创造出与众不同的具象作品，在这期间，空间、透视等元素被巧妙地运用，让画面更具有感染力和吸引力，更加充满真实和生动，以及艺术家对被描绘对象的深刻理解和表现力。而他研究生期间的作品不再局限于传统的绘画材料和表现手法，脱离了现实的形象和对象，追求更加纯粹的艺术表现和表达内在情感的艺术形式，使艺术更加开放、创新，也更能够反映出现代社会的多样性和丰富性。

  展览至5月28日。

  春暖花开，瘟疫之后的第一个春天，空气是流动的，艺术的花盛开。正如罗曼罗兰所说：“创造，不论是肉体方面的或是精神方面的，总是脱离躯壳的藩篱，卷入生命的旋风，与神明同在。”绘画是艺术家情感的传达、是记录艺术行程的手段，是帮助人们发展创造性思维和表现性语言的引导。

  近几年，庞海追的关注点有所转向，作品从具象转为多元，他的表达方法在强化技法中肌理的杂糅，画面混合了主观与客观的多重境界，有了多维度创作空间。他作品中的实验性表述使画面流露出一种真挚而又神秘的情绪，他以独特的视觉形式展现绘画语言的美感。社会环境的变迁，中国社会对感知视觉的深化需求，他的创作力图使人们思考文化的走向以及个人情感的意识构成，他的绘画过程是在思考中感受美的体验，他的创作是赋予想象力、是实现多元艺术的启示性表达。

  他的新作《生命的力量》是一组结合了版画、水墨和喷绘等手段的作品，是他探索综合性绘画的开始。生命的繁衍、修复与消亡、生的无限赋予也展现出其内在的活力，他综合表达与复数性，他以相互叠加提升作品的审视向度。他的近期探索是他对综合材料绘画的逐步深入，他在努力寻找属于自己的绘画语言——摆脱单一技法和工具的束缚，寻找材料最真实的价值。莫里茨·科内利斯·埃舍尔（Maurits Cornelis Esche）的无限、矛盾空间和浮世绘的诡异——他在自己的作品中混合东西、寻找变异，他的艺术实践具有无限的可能性。

  海追围绕自然、神秘的主题进行创作，淡化了以往的具象，着力捕捉偶发的内里之相，他的“生命”系列从传统形式到综合媒介，其形成了独立思考的个体，展现出不同文化和不同界域视觉元素的组合，蕴含了他对心灵的执着追求与深层思考，他试图在创作中寻找那个最真实的自己，他正在切入感知上的自由与表达的无拘无束。


  Spring blossoms. The air in the first spring after the COVID-19 is flowing, with art blooming. As Romain Rolland said, "Creation, whether physically or spiritually, is always separated from the body but concerns the whirlwind of life to be with God." Painting is a conveyance of artist emotions, an instrument of recording art, and a guidance to the cultivation of human creative thinking and performance language.

  In recent years, the focus of Pang Haizhui has shifted, with his works shifting from concrete to diversity, his expression methods blending with reinforcing techniques, and his visuals mixing multiple realms of subjectivity and objectivity, so as to create multi-dimensional creative space. The experimental expressions in his works carry a sincere and mysterious emotion, with the beauty of painting language to be expressed in a unique visual form. The changes in the society and the deepening demand for perceptual vision in Chinese people make his creations, letting people think about the future of culture and the consciousness of personal emotions. His painting process is an experience of beauty in thinking, and his creations are inspiring expressions endowed with imagination and diversity in art.

  His new work The Power of Life is a combination of printmaking, ink painting and inkjet painting, marking the beginning of his exploration in comprehensive painting. Its inherent vitality is demonstrated by the reproduction, repair, and extinction of life, as well as the infinite endowments of life. He combines expression and plurality to shape the perspective of his works through mutual superposition. His recent exploration is his gradual deepening of comprehensive material painting, allowing him to try his own painting language - free from the constraints of single techniques and tools, to seek the most authentic value in materials. Mauritz Cornelis Esche's infinite, contradictory space, and eerie Ukiyos - are what he mixes to seek variation in his works, bringing his artistic practice infinite possibilities.

  Haizhui concerns nature and mystery, weakening concrete phenomena in previous times and focusing on capturing occasional internal phenomena. His "Life" series, from traditional forms to comprehensive media, creates independent thinking individuals, presenting the combination of visual elements from different cultures and domains to tell his persistent pursuit and deep contemplation of the soul. He attempts to discover the most authentic self in his creations, seeking the freedom of perception and of expression.

  Yang Ermin

  2023年4月22日

  部分展览作品：


  （编辑：李思）