展览时间：2015-10-01 - 2015-10-30
展览城市：浙江省 - 温州市
展览地点：温州年代美术馆
主办单位：年代美术馆
策 展 人：段煜婷
参展人员：雅克·亨利·拉蒂格
展览备注：展览地点：温州市鹿城区白鹿洲公园4号楼
展览介绍
Jacques Henri Lartigue (1894-1986)
La Vie au Grand Air
雅克·亨利·拉蒂格
Born in 1894 into a wealthy upper class family of the Parisian bourgeoisie, Jacques Henri Lartigue (1894-1986), enjoyed a carefree existence since his early childhood· He never went to school, never served in the army or in the war, and was never tied down by professional obligations·
雅克·亨利·拉蒂格于1894年生于巴黎一个富裕的上层阶级家庭。他拥有一个无忧无虑的童年，一生没有受过战争之苦。他不但从来没有上过学，也没有从事过任何正式的工作。
On his eighth birthday his father gave him his first camera· From that day forward and until the age of 92, he was an inveterate, tireless recorder of his world, instants of which he personally and meticulously arranged in 135 albums· Recognized much later as one of the greatest photographers of the 20th century (he considered himself a painter), his amateur, intimisticapproach to photography resulted in an awe-inspiring testimonial of his time·
在他8岁生日那天，他的父亲给了他人生第一台相机。从那天开始一直到他92岁那年，他一直默默不倦的记录着身边所发生的每个时刻，最终被他本人精心收录在135本画册里。他被后人视为20世纪最伟大的摄影师之一（即便他自认为是一名画家），而他对摄影的那种业余但充满激情的热爱也成为了那个让人叹为观止的时代的有力见证。
His work has been repeatedly exhibited and published throughout the world ever since it was donated to the State in 1979· We are well acquainted with it and yet critical appraisal has endlessly wavered between nostalgia and awe, since he was both an amateur intent on capturing the charm of the Belle Epoque and one of the inventors of modern photography·
他于1979年把他的底片、私人相册、摄影作品等全数捐赠给了法国政府，其后这些作品曾多次在世界各地展出。尽管我们已经对他的作品非常熟悉，但每当看到它们时都会再次为之惊叹。拉蒂格既是一个记录了法国黄金时代的业余摄影师，同时也是现代摄影的发明者之一。
The dual perception comes into play from the start of the exhibit since the world full of joy displayed within is as seen through Lartigue’s resolutely optimistic eye· He used photography to painstakingly and meticulously record everyday life: games, family trips,portraits of friends, sporting and social events…
从展览的第一部分开始我们已经能够感受到世界的美好。拉蒂格带着极度乐观的态度把身边每天发生的事情通过摄影的方式记录下来，其中包括游玩、家庭旅行，朋友的肖像，体育事件和社交活动等。
Lartigue possessed a particular talent to successfully capture the most fleeting moments, especially moving bodies and objects blissfully frozen in mid-air: jumps and summersaults, speeding automobiles, plunges and high dives…
拉蒂格的摄影天赋让他往往能够成功捕捉最稍纵即逝的精彩瞬间，例如凝固在半空中的物件或身体、在跳床上进行翻滚的运动员，正在高速奔驰的汽车或者从高处跳下的跳水运动员等等。
Both an observer and a narrator of a privileged life even in slightly harsher times, he was relentless in recording every moment in order to ultimately place them in his precious albums· He began very early on to obsessively collect and organize snapshots, select and crop prints· Throughout his life, he devoted time and hard work to photography but nevertheless readily claimed himself to be an amateur, also daily spending time writing and painting· He was even quite known as a painter in the 1920’s and 30’s· However, to his great surprise, a small exhibit of his work in 1963 in New York’s Museum of Modern Art brought him world renown as a genius of photography·
即便是在相对困难的日子里，作为一个拥有优越生活的观察者，拉蒂格依然不懈地记录着身边的每一刻，并最终将它们放置在他那些珍贵的相册里。他从很早便开始痴迷地收集和整理他的照片，并同时对它们进行裁剪和挑选。他一生花费了大量的时间和精力在摄影上，但他依然对外声称是一名业余爱好者，并每天抽出时间进行写作与绘画。他在20世纪20至30年代间已经是一位颇有声名的画家，但让他意料不及的是在1963年由纽约现代艺术博物馆举行的一场小展览居然为他带来了世界著名摄影天才的美誉。
This exhibit presents images selected from the 135 large, original, 52 x36 albums arranged and with captions by Lartigue, an amazing photography journal of 14,423 pages that spans the twentieth century· Also presented in display cases, a collection of original format fac-similes (album and diary pages with sketches), provide a better grasp of Lartigue’s work·
本次展览从拉蒂格的135本相册中精选出部分图片，配上摄影师本人所写的介绍，加上一本足足有14,423页的日记，内容涵盖了整个20世纪。另外在陈列柜中还有一些原始的相册及日记草稿，为了解拉蒂格的作品提供了更好的背景。
Regardless of his being an “amateur”, Lartigue was a connoisseur constantly on the lookout for innovative techniques that he could use· Thus, his work may be that of an amateur, but nevertheless one with a passion and a relentless desire to learn·
即便作为一个“业余爱好者”，拉蒂格永远在寻求摄影技术上的创新，在这一点上他更像是一个充满激情和强烈学习欲望的专家。
Martine d’Astier
October 5th, 2014
马汀娜·阿斯捷
2014年10月5日
（编辑：杨晶）
