丁正耕
所谓学者、知识分子，应当懂得落笔成金这个基本道理。
不管是在何种场合、何种媒介留下笔迹，都应句句是金，而不能张口就来信口开河、展笔千里文过饰非。言文中所述情事，皆应經得起推敲与时间的检验。
要做到此，就需要文者诚实、博学、严谨、精准。如果自称为学界的知分子们，也象目前中国美术界那样夸大其辞、张冠李戴、任意拔高、信口开河，今天谁谁谁创造了什么主义、明天xxx开创了什么画风那样的评画与著书立说，那就是在对自己、对后人、对华夏文化不负责并遗害无穷了。
现在， 既然学者们都在以学者自居，为何自己还要兴波造浪？
细究原因，简单：不甘寂寞、急于登台亮相、企谋当学霸老大等。还是一个字：贪。
这种行为所指的一切，不是学术，而是标新立异、害怕被冷漠遗忘……
当然，学风之清，源于学者之清。本人之朗，才会有清纯之气浮动。
因而，本人有个建议或倡导，也不知妥否？现在大家都忙，通信又发达得很，平台又异样地多，不管是谁，只要所写文字在自己以外进行公示，那怕是在微信中传交，每个字都应有责任感，即落地有声。所评事件，最好附上原件或告之查看到原作的方法。这既传播了观点，交流了思想，又能让他人增加判断与对该事物的了解。新知、增知、明知，这样的“三知”多好！也还能同时让大家都能有自觉、自律、相互监督的空间，以利于学风的好转。
在我的记忆中，像中国音乐学院高为杰教授在我心中地位之高，就是源自于他的治学态度与对学问的严谨。他用微信常常也几乎是每天都在他的音乐系统里发声，但凡涉及人事，他都附有所言之物事的原本。喜悦选用，尽在业界或读者自己。这样的行为，显然是一个真学者、真教授的模样。
笔者在发此信的同时，要告之“德先生群”的员村们，本人的《中国当代艺术》，自1999年创办以来，已经出版的十五部书中，从来没有邀请过其他任何人作过序。原因是每年反应中国当代艺术各领域之重要创作情况的年度性总结文献，在只有单个专业性研究的中国专家学者中，是很难选择谁来担担她的重量的。目前，市面的圈子中是有一本从2007年才出现的给我的《中国当代艺术》同名的间歇性由湖南美术出版社出版的出版物，其书的每篇前言的确是国内某些名教授的署名文章。为让大家在此不至于让本《中国当代艺术》混为异《中国当代艺术》，故特言简述。这事，尽管业内一些地位很高的朋友多次提醒我可以告他们的盗名，但我的回答是：只要大家都在为中国的当代艺术做事，盗个名何仿！干总比不干强呀，中国不缺口才，缺的是干才。何况我仅仅是早于别人记录8年罢，他们那具有商业目的的断间性的记录怎能与本连续性的记录在文献史学价值上相比……也许，朋友们会说我老丁太憨！
“德微群”中罗先生上面所述《飘在废墟上的天国》一文，是笔者在2010年由北京九洲出版社再版《第四次浪潮》时，我请诗友小兄弟吕陈君撰写的跋而不是《中国当代艺术》的前言或序。
前阵，北京的下雪量与次数，是十多年来之最。因为下雪，又令我想起一句各自打扫门前雪的老话来。
中国的入事，若能都自己扫尽门前雪，至少就还有一片干净的园子。怕就是怕，天天都在喊扫地的人，自家都没有扫干净啊！
你看看，这不也正是目前中国社会的现状，中国的大学、学界、知道分子们的现状么？
2015年12月24日9点15分至11时50分老丁圣诞于北京家中等待囊肿消失的休养中。照片为《中国当代艺术》书样、两版《第四次浪潮》书并陈君文在书中的情形、昨天夜晚油画家刘亚明工作室。感谢所有历年来对我本人及《中国当代艺术》大力合作支持的艺术家和朋友们！也祝圣诞快乐！
"The Chinese scholars, if all sweeps the snow from own doorstep..." By Ding Zhenggeng
The so-called scholars and intellectuals, should know this basic point that put pen to paper into gold.
No matter what occasions, what kind of media handwriting, should be sentence is gold, but cannot run off at the mouth with loose lips，cannot let length pen whitewash errors with beautiful words. ln this matter, case should stand up to scrutiny and the test of time.
To do this, the author is required to honesty, knowledgeable, rigorous and accurate. If intellectuals who are self-proclaimed scholars are hyperbole, misplaced, arbitrary high and nonsense like in Chinese Arts Circle. By somebody，what -ism is created today，what painting style is created tomorrow ，that evaluation of painting and writing, that is to himself and to others, to the Chinese culture is not responsible for and stick around.
At present，now that scholars set up for scholars in academics，why should their wave wave?
Deliberating on reason, simple: unwilling lonely, anxious debut, enterprises as the eldest with excellent grades , and so on. Or a word: greed. This kind of behavior which referred to everything, is not academic, but also unconventional or unorthodox, afraid of being forgotten...
Of course, style of study of cleaning from scholars of cleaning. My frank will have pure gas floating.
Therefore, my suggestion or advocacy, l do not know whether is in order？Everyone is busy right now, communication is developed a lot, platform is more strange, no matter who, as long as the written text shows on public outside their own，even to transmit in WeChat , every word should have the sense of responsibility, namely landing sound. The evaluation of events, it is better to attach the original or to see the original method.
This is both the spread of viewpoint，exchange ideas, and to let people make increasely judgement and understanding of the things. New knowledge,more knowledge, clear knowledge, so many good as“3 knows”！This also can let everybody have a conscious space, self-discipline, mutual supervision, to facilitate the improvement of style of study.
In my memory, Gao Weijie professor is high in my heart at the China academy of music ，the reason why is derived from his scholastic attitude and rigorous for learning. He often also sounds almost every day in his music system by WeChat.all the personnel, he attached to speak of things originally. Joy is chosen, or readers in the industry. Such behavior is clearly a true scholar, professor.
At the same time, the author sent out in this letter to tell"Mr. Moral Group" members of the village：my《Chinese contemporary art 》， it has been founded and has published 15 books from 1999 to now. l has never invited anyone else to write preface in it. Reason is that it reflects to Chinese contemporary art in all areas and makes an important creation situation's annual summary of literature, only single professional research experts and scholars in China, it is difficult to choose who to bear her weight . Today, in market circle，there was a book to appear to my 《Chinese contemporary art》of the same name in 2007 and be published intermittent by Hunan fine arts publishing house. its each preface of the book was written really by some famous professors signed article. l don't want to let everybody mixed from my book of "Chinese contemporary art" to another "Chinese contemporary art ", therefore words briefly. This matter, although in circle some high status' friend reminded me that I can charge their stolen behavior many times, but my answer is: as long as everyone is to do things for Chinese contemporary art, why not to steal a name any copy! Doing is better than not ，don't need speaker in China, need to do. Not to mention ,I just record earlier than others for eight years,they have commercial break records , how to compare it with the value of continuity record in literature history... Perhaps, my friends would say me: LaoDing is too silly!
In 'Moral We-chat Group',Mr.Luo described above 《wave on the ruins of the kingdom of heaven 》，when my 《 The Fourth Wave》was reprinted by Beijing Jiuzhou Press in 2010. It is that I asked my friend, Lu Chen-Jun , write a postscript rather than the preface of "Chinese contemporary art" or foreword .
Former matrix, the amount of snow in Beijing with times，more than a decade. Because of the snow, and make me think of a respective cleaning goes to in front of the snow. China into the matter, if can have own sweeps away in front of the snow, at least there is a clean piece of garden. Afraid is afraid, crying everyday people, oneself are not cleaned!
You see, is this also the present situation of Chinese society, the current situation of China's universities, academics or communicative experts ?
Pictures are the sample book of "Chinese contemporary art" , two editions of 《The Fourth Wave》and Chen Junwen in the book, oil-painter Liu Ya-Ming studio yesterday night.
I am grateful to artists and friends for cooperation to support me personally and＂Chinese contemporary art＂ over the years . Also wish you merry Christmas!
At 9:15pm-11:50pm ,On December 24, 2015, Christmas in Beijing's home
By LaoDing waiting for rest of cysts disappear.
（编辑：杨晶）
